In Arrangement View, Detail View, Simpler and Sampler, holding (PC) / (Mac) while scrolling will zoom to the mouse pointer’s position.
The modifier is no longer required for moving automation segments past existing breakpoints. Automation values are now displayed when hovering over or dragging breakpoints or automation segments. In the Arrangement, this means that MIDI clips can only be created by double-clicking in the content lane. It is now possible to create an automation breakpoint by double-clicking anywhere in an envelope editor/automation lane. Automation segments can be moved horizontally. Breakpoint values can now be adjusted vertically without moving the breakpoints in time. Breakpoints now snap to the grid (or to existing breakpoints) when moved horizontally. To do this, the clip start/end must be used to increase the size of the clip. However, a fade edge cannot move beyond the fade peak. Introduced fade edge handles in the Arrangement View, which allow users to change the duration of a fade in (via the Fade In Start Handle) and fade out (via the Fade Out End Handle) without affecting the fade peaks. It is possible to Split or Consolidate clips in a time selection within an automation lane. When automation lanes are visible, the content lanes are minimized to the height of the clip headers. In the Arrangement, all automation lanes are shown or hidden via the Automation Mode button or the key. Clip fades are now always available directly on the clip if the track is tall enough. The Lock Envelopes switch can be MIDI or key mapped. The file will be inserted at the Insert Marker position in the Arrangement View or in the selected clip slot in the Session View. Audio or MIDI files can be imported via an “Import…” command in the Create menu. (PC) / (Mac) will now toggle the Arrangement loop on or off. Follow will resume when scrubbing or restarting playback. When editing in the Arrangement or Detail View, Follow is now paused rather than disabled. The clip will be the length of the Arrangement’s grid resolution. Double-clicking in a MIDI track in the Arrangement will create a new clip. This behavior can be toggled off or on via the Chase MIDI Notes command in the Options menu. Live now plays back MIDI notes in the Arrangement even if playback is started at a position after the beginning of the notes. If the time selection includes only a portion of a clip or multiple clips, Live will split the clips as necessary, then perform the action on the split clips. It’s now possible to activate, deactivate, or reverse a selected range of time. Dragging in the lower half will select time. Arrangement clips can be moved by dragging the upper half of the clip. Holding while dragging the edge of a warped audio clip in the Arrangement will stretch the audio. Hold (PC) / (Mac) while dragging to temporarily toggle the grid on or off. (PC) / (Mac)-dragging within an Arrangement clip will slide the material within the clip without moving the clip itself. Hold (PC) / (Mac) while scrolling to temporarily toggle the grid on or off. All Arrangement clips within a time selection can be moved using the left and right arrow keys. Holding while scrolling will zoom the amplitude or pitch of the selected tracks. 
Holding (PC) / (Mac) while scrolling will zoom to the mouse pointer’s position.There is no limit to the number of nested Group Tracks. Group Tracks can now be created or moved within other Group Tracks. If multiple clips of different lengths are selected, the editor will show as many loop iterations as are necessary for the clips to realign. Within the multi-clip view, clicking a clip’s notes or its loop bar selects this clip for editing. Up to eight MIDI clips can be viewed simultaneously in the Detail View. You can always capture what you’ve just played, after you’ve played it. With Capture MIDI, you never have to worry about losing your experiments and improvisations because you forgot to start recording. Live will automatically try to find the tempo and set appropriate loop boundaries. Press the Capture MIDI button after you’ve played to create a clip containing your music. Now, Live is always listening to MIDI input on armed or input-monitored tracks. EQ Eight can now boost or cut frequencies down to 10 Hz.Ĭapture MIDI introduces a new way of (not) thinking about MIDI recording.A Bass Mono section allows you to convert frequencies below an adjustable point to mono, with an adjustable crossover control. The Left/Right Phase buttons now invert the signal at Utility’s input rather than at its output. Utility’s Gain control can now be adjusted from -infinity dB to +35 dB.Pedal is capable of a range of distortion sounds from warm overdrive to aggressive distortion to heavy and broken fuzz tones. Pedal is a new effect, inspired by three classic guitar distortion pedals.
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